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Literature Text
there is a void that has yet to be filled.
You
probably don't remember when
we stayed up all night counting
stars or how this world
wasn't actually
real.
We were our own gods.
The day your faith died
was the day your mother whispered
"He's living with her now" and you
stopped
breathing
long enough to forget I was standing
there,
too.
Fast forward to
too many
years later,
we locked eyes in whitewashed
halls.
Amnesia was
written in the creases of
your skin like narcotic
borderlines between living and
acting and you could only
pretend like I wasn't
there—just a
whisper in the wind
that reminded you
of being human once upon a
childhood dream.
For the love of
all the smoke in your lungs and the
ache in my heart,
I hope you know who you are now.
Literature
Bones mend, but tell no lies.
You have cataloged your scars
like your body is a library-
to be read through &
learned from.
You think of
all the little boys
whose greedy fingers
graced
your pages.
You are angry-
none
cared for you
properly:
folding
creasing
& breaking
your spine.
They left you
on a shelf
to gather dust.
& why
should you ever
forget that?
Literature
You don't just die.
Do you understand?
The blade against your wrist
Doesn't just slice your skin.
It cuts through others
Hearts
Souls
And sanity.
Do you understand?
You don't just kill yourself.
You kill everyone.
Everyone dies
Everyone cries
Everyone suffers
From YOUR goodbyes.
Do you understand?
You don't just die.
You take everyone down
With you.
Literature
She always fell for boys who needed saving.
She always fell for boys who needed saving.
Giving them kisses in the dark
to numb their headache from
drinking too much and yet
not enough to kill lust.
She was always adored by boys, who,
if given the chance, would rebuild
the world for her.
But she wanted to be the heroine
and refused to see
she needed saving, too.
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Just reminiscing about the girl who was my best friend for ten years before she decided she had to grow up too fast.
still having that submission problem where I can only write via stash and it's annoying me heavily.
still having that submission problem where I can only write via stash and it's annoying me heavily.
© 2013 - 2024 lupus-astra
Comments49
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Overall
Vision
Originality
Technique
Impact
Hey there,
Before I get started, I'll just say that everything posted in this critique is purely opinion and is entirely at your discretion to disregard.
Awesome. Let's start with Vision.
I gave a solid 4.5 on vision because I feel like the groundwork for the emotion you wanted to convey came through clearly. Obviously, losing this person was very traumatic for you (at least at the time; I hope it's gotten easier since.)
It's clear you set out with that feeling of loss, of disappointment and betrayal, from the start. In that respect, the poem shines.
As for originality, though, this piece didn't stick out to me. Nothing about it throttled me and begged me to keep reading.
Betrayal is a fairly run-of-the-mill topic for poetry, and I don't feel that the imagery or word choices in this piece affected that much. The opening line, "There is a void that has yet to be filled," seems distant and overly withdrawn.
There are ways to portray that emptiness better, I feel. I know you're capable of finding them.
As far as technique is concerned, I thought a 3.5 seemed fair. The poem is well-written, don't get me wrong, but the word choices and syntax are a bit frail in places. I always (try to) treat poems like a story, because it's just another form of communication at its basest. I feel there are a few places where a little bit of work can fix some of that communication.
"You probably don't remember when we stayed up all night counting stars or how this world wasn't actually real."
The first part of that is fine, but I'm a little hung up on the second bit. "How this world wasn't actually real," meaning "You probably don't remember how this world wasn't actually real." Right?
Is that somehow tied in with the phrase "We were our own gods?"
If so, a little more background (without giving it all away) might be helpful there. Without it, I'm (from a surface view) questioning whether that's an inside joke or reference. If it isn't, I'm left wondering why you're concerned with losing someone in a world that isn't real?
"Amnesia was written in the creases of your skin like narcotic." I'm not sure if there's a hidden meaning behind that, but it doesn't make sense to me.
Like "a" narcotic? If so, how can a narcotic be written in the creases of someone's skin? Are you saying that her amnesia was reminiscent of the effects of a narcotic? Are you talking about a creased forehead, as in confusion? Or literally, creased skin from aging? Clarification there would help tremendously.
"The day your faith died was the day your mother whispered "He's living with her now" and you stopped breathing long enough to forget I was standing there, too."
I understand the need to keep mystery alive in poems, but without some kind of reference to who "He" and "her" are, I as a reader have no reason to care about why they're mentioned. Is this a brother? A father? A boyfriend? Who is the her? Is the her you?
The significance of the poem changes greatly depending on who "he" is, and who the "her" is. If it's a brother, perhaps that the mother's lost custody of to her ex husband and his new wife, that's a drastically different emotion from a "he" being an ex husband who's moved in with another woman.
Without any understanding of those two, it's a fuse with no dynamite. I want to know, and will never get that answer. That frustrates readers, and trust me, you don't want frustration unless that's what you set out to create.
Overall, I'd say the poem had about a 3.5 impact with me. I can appreciate the sentiment of losing someone, especially when their life consumes them to the point that they move on without you. That kind of betrayal, whether intentional or not, is never easy to deal with. However, I feel like the emotions behind the event have probably cooled thus far, and that cooling shows in the poem.
It feels distant, withdrawn, and cold in places, but warm with bite in others. It falls somewhere between a chill, bitter memory and a vivid, burning indignation. I feel like it doesn't commit to either, and as a result, comes across a bit lukewarm. Well-written, well put together, but not necessarily gripping or stirring.
In short, I enjoyed this piece from beginning to end. I feel that it could be much more, but what's there already is a cut above most other poems.
Thank you for submitting it.